SIMPLE SIXTIES: LIGHT, SHADOW AND FLAME






















Can you not love a 1960s graphic retro look when the cold days arrive? 

The uber-comfort of a fine high-neck tee, a pair of super-soft opaque tights and  low, chunky-heeled ankle boots? Well, you might be generally avoiding such basic comforts like the plague, for fear of ending up looking and feeling utterly boring. 

But fear no more. And, mind you, no need to give in to femme fatale tendencies either - bad weather, the muddy or icy catwalk of city streets and killer heels do not match. There are other ways to sharpen up and brighten up: colours, graphic effects, and cuts.

Hence the monochrome patch pocket miniskirt with gold buttons, an op-art image of bright light streaming through a window, a finely crinkling-and-folding long-sleeve top in the brightest red, a lick of flames in the fireplace, plus a bit of patent leather with a hint of gold at the heels, proof that even the darkness can glow.

This season, the look has got even better with my favourite, go-with-everything quilted, gold-zipped biker jacket in a classic cropped and collarless Chanel style by New Look. Just as with the New Look summer parka, I can't get enough of it because of the snug sleeves, that us petites with twig-like arms so rarely get in a jacket, and that makes all my other jackets appear big and bulky in comparison.

This is a classic autumn look that, when the going gets tough as low temperatures hit, you can throw an oversized boyish winter coat, a traditional wool trench, a padded parka or a shearling cape over it, and you're covered up nice and tight.


 
monochrome skirt: River Island, quilted jacket: New Look,
poloneck top and 1960s ankle boots: Asos

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